For 30 years, my ceramic art has used Shigaraki clay. It contains natural feldspar granules that appear as white flecks on the unglazed surface.

This rough texture is enhanced by wood firing at over 1300 C (2400 F)  for one week during which the flame works its magic and transforms it into warm hues of russet and reddish-orange. The flame also carries in its draft pine wood ash, which collects and pools into a natural, emerald-green glaze.

Like a photograph, every parameter is preset before the final "image" can be developed. Each element in this entire process is a natural force or material. 

Like a painting's canvas, the clay catches colors. These colors are fire, serendipitous combinations from an infinite palette of pyrotechnic pigments. No two pieces are ever rendered alike. 

The potter's creative will is the brush. Wood firing is like "painting with fire".